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To me, it is one of those celluloid gems that you say you are just going to watch a few moments to see how it looks and end up watching the whole thing. IN A LONELY PLACE (1950), has been called one of the most perfect examples of the film Noir genre ever produced, even if it was in the later stages of the movement. The interesting point of this is that the novel IN A LONELY PLACE (1947) was written by an underappreciated woman while AMERICAN PSYCHO was written by a bestselling male. The Hughes novel is smaller in scope and different then the film. He also operates outside the law while projecting being a bestselling crime author. This Dixon Steele is a monster capable of grooming a victim just because he could. A sense of dread is created over what comes next. You get his point of view as he abandons his car to walk behind her, and begin talking to her to finding out about her. The second moment happens after the dinner party when Steele stalks a random girl at bus stop. Steele gives him so very close to his heart ways this killer would work. His friend pumps him for information on how someone like this killer would operate as Dixon is an author.
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The conversation is filled with hints that Dixon understands the current serial killer case that Brub is working on. Two particular moments in the book I wish were in the film bring this to light.įirstly, Dixon is having dinner as he is a bachelor with his policeman friend Brub and his wife. Dixon still has the temper, which is evident in the film, however, in the book it is laser sharp and homicidal.
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An author is not an everyday occupation, yet her choice for Steele gives him a grounding. Hughes’ Dixon Steele was a crime writer and a sociopath, not a screen writer as in the film. Of course, things were different in 1947. You should not be surprised or repelled when it does. This is the mind of Patrick Bateman and what is going to happen is going to happen regardless of you, the reader, thinking it’s wrong. The book was claustrophobic and terrifyingly similar to Patrick Bateman in Brett Easton Ellis’s novel AMERICAN PSYCHO.Įllis starts with voluminous amounts of inane detail about clothes and other considerations in a stream of consciousness point of view designed to get under the reader’s skin. Hughes wrote the novel IN A LONELY PLACE in 1947 and brought it to screen in 1950. Concepts can be re imagined or remade the cheap way of doing film with rare exceptions.ĭorothy B. Today, film still comes from various sources. Hollywood of yesterday was a fountain head of searching for the story in the headlines or the best seller lists. People tend to forget story comes from a printed page, be it a screenplay treatment, a novel or short story.